Wednesday, April 29, 2009

Today's Equine Art - Mare and Foal in Pencil



An intimate moment passes between a mare and her foal. I love the shapes in this drawing. The foal is at its most vulnerable, and only a portion of the mare is shown to illustrate her size in contrast, while she stands over the baby protectively. I tried to show how the light was hitting the foal softly, as it might through a stall window.

This is pencil and conte on grey charcoal paper, about 10 x 13".

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Monday, April 27, 2009

Today's Equine Art - Ruffian



After my other Ruffian portrait sold on eBay, I was commissioned to do another by one of the bidders who didn't win. This one is still colorful, but very different, showing Ruffian in a more regal pose. This is oil pencil and conte, about 8 x 10".

Saturday, April 25, 2009

Today's Equine Art - Brumbies in Pastel



I don't know if these are actual brumbies. In fact I am not sure of the definition of brumbie. I just wanted to say brumbie because I like the word. But I was so excited when Gecko, who lives in Australia, asked me to paint her three horses. Gecko has been following my blog for a good spell now. We discussed how to best paint her darlings and decided to do them on black. Since there are three horses featured, I wanted to do it fairly large, about 12 x 18". She provided me with an excellent photo and I did an outline in white pencil.



Since I am left handed, I've found that the best way to work in pastel is from right to left, bottom to top, since I will smear everything otherwise. So rather than blocking the whole thing out, I start on the farthest right horse.



The horse is a nice red bay with dramatic white star. Since he is on black, I have to invent my own sort of backlighting, which I do just by exaggerating the light from the original photo. I rough him in with conte crayon and then do the detail work in oil pencil. The colors go on in red, brown, terra cotta and yellow. I draw some of the hairs individually and add some blue and bright white highlights.



The center horse is darker in color, and I use the opposite technique on him. I begin with a grey oil pencil, and then go over it with a conte crayon.



Now I am roughing in the lone chestnut. I begin with a terra cotta conte crayon and then do the next layer in oil pencil to detail the face. The neck and mane is highlighted in varying shades of conte, with a bright white along the top of the neck.



The black background adds a dramatic touch and some depth to this finished portrait. Big thanks to Gecko!

Thursday, April 23, 2009

Today's Equine Art - Mini Pastel



With this painting, a whole unexpected story unfolded. This is a mini pastel, about 3 x 5". I finished it yesterday. Today I had a meeting with Arminda Presgrove, owner of The Walking Horse Gallery in Lansing. I took in several framed originals, including this small piece. It was my first time visiting this gallery, and I spent some time walking around admiring the diversity of the work there. The place had a bright, colorful feel to it, with a selection of equine prints and originals, as well as wood carvings, tapestry, and handmade jewelry. It is such a warm and delightful environment.

I was sitting in the back room of the store, filling out the required acquisition forms, when Arminda came into the room with a customer. "This is the artist," she told the lady. I shook her hand. The lady was admiring the work on my various packs of note cards which were spread out on the table.

Arminda said, "Nancy wrote, 'Clifford of Drummond Island'."

"Oh!" the lady said. "I'm from the U.P."

"Really? Whereabouts?"

"Sault Ste Marie. My family name is Flynn."

My first thought was, No! Couldn't be! But I said, "Maybe you are related to my college professor."

Her face lit up. She was indeed the niece of my wonderful creative writing professor, Michael Flynn of LSSU. I happened to have a copy of, "Holding the Ladder" with me, and I asked if she would take it to him. I signed it and wrote, "This is all because of you!"

Mike Flynn was a wonderful inspiration and encouragement to me, and is a big part of the reason I am still writing today.

His neice spent two hours visiting in the gallery with us, and bought this original piece as a birthday gift for her granddaughter.

I left there with a feeling of serendipity that is becoming more and more prevalent in my days. I wonder if this is a sign of encouragement for my writing efforts -- which recently have endured a barrage of almost debilitating blows, due to an unlucky encounter with some unscrupulous individuals.

I could see the sharp, hawk-eyed gaze of Professor Flynn, his quick, brilliant smile, his words of genuine appreciation and encouragement. Of all the influential people to come into my life, this would be the guy I needed to hear from the most. He had once said to me, "As good as I am a teacher, you are equally as good a student." I considered it the highest compliment.

I told his niece I didn't know if Mr. Flynn would remember me, but, it didn't matter. The message came through anyway:

"Keep writing!"

To the Universe: Thanks, I needed that!

The Best Swan Pic



He came up for bread today, leaving his mate on the nest to tend the eggs.

Tuesday, April 21, 2009

Stewie Beef



Yeah, I know, he looks so sweet and innocent! He comes when I call him, loves riding in the car and likes to sit by my feet. But what is up with the sporadic and indiscriminate peeing? Sometimes he holds it, sometimes he doesn't, even in the crate! He's on his second course of antibiotics. How long can this go on?!

Monday, April 20, 2009

Today's Equine Art - With Cattle Dog!



My brother Jon and I were in Washington last summer, visiting a rancher who raised horses. There was a whole conversation going on, but this little drama was happening in the background as I was snapping photos. The colt was clearly trying to get this dog's attention!

This piece is about 12 x 16".

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Saturday, April 18, 2009

Today's Equine Art - ACEO


The photo doesn't do justice to this watercolor; the colors are much warmer than this. I like the primary colors; they jump right out at you, which goes along nicely with a black and white spotted horse.

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Handmade Papillon Ceramic Tile! I Got Down&Dirty With THIS Dog Art!



A little departure from my usual projects! I actually made this several years ago, fashioning it from clay and firing it in a friend's kiln. It came out pretty cool. I had a Papillon for twelve years named Piper, and all the Papillon art I do is in her honor. They are very photogenic and expressive little dogs.

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